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PEEPING TOM

TRIPTYCH: THE MISSING DOOR, THE LOST ROOM, THE HIDDEN FLOOR


15.7 | 21:00 | 125΄, Kalamata Dance Megaron , Main Stage
16.7 | 19:00 | 125΄, Kalamata Dance Megaron , Main Stage

 


For ten days, from 15 to 24 July 2022, leading Greek and international artists will be showing their work to art lovers from all over the world. We look forward to share with you the experience of this major artistic event, the 28th edition of the Kalamata Dance Festival.

 

 

In the Triptych trilogy, the characters, lost in time and space, are continually drifting away and searching for one another, revealing a melancholy nostalgia for the future. A triple huis-clos in which the characters try in vain to create a new version of their illusory reality.

 

Gabriela Carrizo and Franck Chartier experimented with changing filmic sets from one scene to the next in order to get the transitions to unfold as an autonomous dramaturgical force. In Triptych, this intermediary dramaturgy is an intimate part of the maze-like wanderings into the past and the future.

 

Triptych is a reworked version of three short pieces that Peeping Tom created for the Nederlands Dans Theater. Gabriela Carrizo directed the first part, The Missing Door, while Franck Chartier directed the two installments that followed, The Lost Room and The Hidden Floor. Carrizo and Chartier wanted to bring these pieces into the Peeping Tom repertory to be able to continue performing them. Together, the choreographers reimagined the pieces for the dancers of their company. In that sense, Triptych shows how different bodies, idioms, and working methods can not only overlap, but also mutually nourish one another.

 

Carrizo and Chartier focused on creating a new team of performers with a distinctive combination of technical qualities, which straddle both dance and theater. With their own physical vocabulary, the new dancers will trace new lines of memory, not only across Triptych, but across the company as well.

 

 

 

Concept & direction: Gabriela Carrizo & Franck Chartier
Performance: Konan Dayot, Fons Dhossche, Lauren Langlois, Panos Malactos, Alejandro Moya, Fanny Sage, Eliana Stragapede, Wan-Lun Yu
Artistic assistance: Thomas Michaux
Sound composition & arrangements: Raphaëlle Latini, Ismaël Colombani, Annalena Fröhlich, Louis-Clément Da Costa, Eurudike De Beul
Light design: Tom Visser
Set design: Gabriela Carrizo, Justine Bougerol
Costume design: Seoljin Kim, Yichun Liu, Louis-Clément Da Costa
Confection costumes: Sara van Meer, Lulu Tikovsky, Wu Bingyan (internship)
Technical coordination: Giuliana Rienzi
Technical engineers: Bram Geldhof, Ilias Johri (lights), Tim Thielemans / Jonas Castelijns (sound)
Stage management:  Thomas Dobruszkes (stage manager), Clement Michaux, Kato Stevens (stage assistants)
Production interns: Lisa Gunstone, Robin Appels
Tour manager: Amaury Vanderborght
Production manager: Helena Casas
Communication manager: Sébastien Parizel
Company manager: Veerle Mans
Production: Peeping Tom
Co-production: Opéra National de Paris, Opéra de Lille, Tanz Köln, Göteborg Dance and Theatre Festival, Théâtre National Wallonie-Bruxelles, deSingel Antwerp, GREC Festival de Barcelona, Festival Aperto / Fondazione I Teatri (Reggio Emilia), Torinodanza Festival / Teatro Stabile di Torino – Teatro Nazionale (Turin), Dampfzentrale Bern, Oriente Occidente Dance Festival (Rovereto)
Distribution: Frans Brood Productions

 

With the support of the Flemish authorities.

Triptych: The missing door, The lost room, The hidden floor was created with the support of the Tax Shelter of the Belgian Federal Government.

Based upon Adrift, created with the dancers of NDT I: Chloe Albaret, Lydia Bustinduy, César Faria Fernandes, Fernando Hernando Magadan/Spencer Dickhaus, Anna Hermann, Anne Jung, Marne Van Opstal, Roger van der Poel, Meng-keWu, Ema Yuasa/Rena Narumi, with artistic assistance by Louis-Clément Da Costa, Seoljin Kim and Yi-Chun Liu.

 

 

 

PRICES

 

REGULAR: €15.00

REDUCED: €12.00

 

Concessions available for holders of a Student Card, Culture Card, Unemployment Card, Greek Choreographers’ Union Card, Dance Worker Union Card, Special Need Card (to be produced for admission).

 

Official ticket points for all events appearing on our website are those listed on the relevant event information. Therefore, Ticketmaster brings no responsibility for tickets that were purchased through third sales channels, which do not belong to its official network, and thus hold no guarantee and/or reliability.

 

 

 Everyone can buy tickets from the theater just one hour before the performance, only if there are available seats or tickets returns.

 

 

 PAYMENT METHODS

Use of credit/ debit card:

- www.ticketmaster.gr

- Call Center : 2111981535 Daily & Weekends: 10.00-21.00

- MY DAILY SPOT Sintagma (Mitropolews 25). 2117502946. Daily & Weekends: 08.00-23.00

- MY DAILY SPOT Kolonaki (Tsakalof 14).  2117502947. Daily & Weekends: 08.00-23.00

 

In Cash:

 -MY DAILY SPOT Sintagma (Mitropolews 25). 2117502946. Daily & Weekends: 08.00-23.00

- MY DAILY SPOT Kolonaki (Tsakalof 14).  2117502947. Daily & Weekends: 08.00-23.00

 

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